Mezzo

Amalia Rodrigues (voice) Carlos Concalves Dos Santos, Manuel Arnaldo Martins Dos Santos, Antonio Pires Ascensao Recorded in 1978, Musicalmente dallo studio 3 Tv director, Mirto Storni.

Born in the United States, Madeleine Peyroux is a jazz singer and guitarist with an unclassifiable style and an exceptional artistic personality, carried by a voice that is both soft and husky, with blues and folk accents. After spending part of her childhood in the United States, she moved to France as a teenager where she joined her first jazz bands. An atypical artist, she performs a lot in the

Astor Piazzolla (bandoneon) Arnaldo Ciato (piano) Giuseppe Prestipino Giarrita (bass) Tullio De Piscopo (drums) Hugo Heredia (flute) Nando De Luca (organ) Aldo Pagani (marimba) Felice Dacco (guitare) Recorded in 1974 Tv director, Sandro Briner.

Ensemble Intercontemporain, Matthias Pintscher (Conductor) Alain Billard (clarinette contrebasse), Bryce Dessner (guitare électrique) Matthias Pintscher (B. 1971) 'Skull', for three trumpets John Cage (1912 – 1992) "Seven Haiku" for piano George Crumb (B. 1929) "Vox Balaenae" (Voice of the Whale) for flute, cello and piano Yann Robin (B. 1974) "Art of Metal II" for contrabass clarinet and electron

Orchestre de l'Opéra Royal de Wallonie-Liège, Guillaume Tourniaire (conductor) Jodie Devos (soprano), Marc Laho (tenor), Lionel Lhote (baritone) Ambroise Thomas (1811 – 1896) Excerpts from "Hamlet" Prelude Recitative and duet: "Vains regrets!" Chanson bachique : "Ah ! pour nous mon Seigneur, quel honneur !" Entracte of Act III Hamlet monologue: "Etre ou ne pas être" Entracte of Act IV Scene and Ai

Giulio Cesare in Egitto "Dramma per musica" in three acts by Georg Frideric Haendel (1685 – 1759) Libretto by Niccolò Francesco Haym First performance London, King's Theatre, Haymarket, 20 February 1724 Ensemble Artaserse, Philippe Jaroussky (conductor) Damiano Michieletto (Stage director) Thomas Wilhelm (Choreography), Paolo Fantin (sets), Agostino Cavalca (costumes), Cécile Kretschmar (hairdress

Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Jennifer Holloway (soprano) Ludwig van Beethoven (1770 – 1827) Egmont, overture op. 84 Richard Wagner (1813 – 1883) Wesendock-Lieder Gustav Mahler (1860 – 1911) Symphony No. 1 in D major "Titan" Liège, Salle Philharmonique, 16 September 2023. Mit dabei: Jennifer Holloway (soprano).

Chineke! Junior Orchestra, Glass Marcano (conductor) Gerard Aimontche (piano) Samuel Coleridge-Taylor (1875 – 1912) Othello Suite op. 79 Stewart Goodyear (1978 -) Callaloo – Caribbean Suite Gerard Aimontche (born in 1991) Improvisation on Bob Carlton "Ja Da" Pyotr Ilyich Tchaikovsky (1840 – 1893) Symphony No. 4 in F minor, Op. 36 Directed by Andreas Morell Berlin, Konzerthaus, 11 August 2022. Mit

Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never be

Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never be

Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never be

Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never be

Orchestre des Champs-Elysées, Philippe Herreweghe (Conductor) Ludwig van Beethoven (1770 – 1827) Symphony no 2 in D major, Op. 36 Symphonie no 5 in C minor, Op. 67 Recorded at the Festival de Saintes, 20 July 2020 TV Director, Sébastien Glas.

Idomeneo, re di Creta "Dramma per musica" in three acts, K 366, by Wolfgang Amadeus Mozart (1756 – 1791) Libretto by Giovanni Battista Varesco after "Idoménée" by Antoine Danchet First performance in Munich, Residenztheater, January 29, 1781 Orchestra of the Opéra Royal de Wallonie-Liège, Fabio Biondi (Conductor) Chorus of the Opéra Royal de Wallonie-Liège Jean-Louis Grinda (stage director) Lauren

Mel Lewis Orchestra Jazz Estival Mel Lewis (drums) Simo Salminen (trumpet) Ted Nash (saxophone) Kenny Werner (piano) John Marshall (trumpet) Joe Mosello (trumpet) Joe Lovano (saxophone) Jerry Dodgion (saxophone) Earl Gardner (trumpet) Dennis Irwin (doublebass) Recorded in 1985, Lugano, Swiss Tv director, Sandro Pedrazzetti. Mit dabei: Mel Lewis (batterie) Simo Salminen (trompette) Ted Nash (saxoph

Estival Jazz, Jimmy Witherspoon quartet Rozaa Wortham recorded in 1985, Lugano, Swiss TV director, Sandro Pedrazzetti. Mit dabei: Rozaa Wortham.

Estival Jazz 1986 John Mc Laughlin's Mahavishnu Orchestra John McLaughlin (guitar) Bill Evans (saxophone) Mitchell Forman (clavier) Danny Gottlieb (drums) Jonas Hellborg (bass) Recorded in 1986, Lugano, Swiss Tv director, Sandro Pedrazzetti.

Miles Davis in Concert (1988) Münchner Klaviersommer '88 Miles Davis (Trumpet) Kenny Garrett (Saxophone) Bobby Irving (Keyboards) Adam Holzman (Keyboards) Joseph "Foley" McCreary (Guitar) Benjamin Rietveld (Bass) Marilyn Mazur (Percussion) Ricky Wellman (Drums) Director Janos Darvas Münchner Klaviersommer 1988, Philharmonie am Gasteig. Mit dabei: Miles Davis (trompette) Kenny Garrett (saxophone) B

Ensemble Intercontemporain, Matthias Pintscher (Conductor) Alain Billard (clarinette contrebasse), Bryce Dessner (guitare électrique) Matthias Pintscher (B. 1971) 'Skull', for three trumpets John Cage (1912 – 1992) "Seven Haiku" for piano George Crumb (B. 1929) "Vox Balaenae" (Voice of the Whale) for flute, cello and piano Yann Robin (B. 1974) "Art of Metal II" for contrabass clarinet and electron

Orchestre de l'Opéra Royal de Wallonie-Liège, Guillaume Tourniaire (conductor) Jodie Devos (soprano), Marc Laho (tenor), Lionel Lhote (baritone) Ambroise Thomas (1811 – 1896) Excerpts from "Hamlet" Prelude Recitative and duet: "Vains regrets!" Chanson bachique : "Ah ! pour nous mon Seigneur, quel honneur !" Entracte of Act III Hamlet monologue: "Etre ou ne pas être" Entracte of Act IV Scene and Ai

Die Tote Stadt Opera in three tableaux by Erich Wolfgang Korngold (1897 – 1957) Libretto by Paul Schott First performance in Cologne, Opera, 4 December 1920 Bayerisches Staatsorchester, Chor der Bayerischen Staatsoper, Kirill Petrenko (Conductor) Stellario Fagone (Chorus Master) Simon Stone (Stage Director) Ralph Myers (Sets), Mel Page (costumes), Roland Edrich (Lighting) Jonas Kaufmann (Paul) Mar

Martha Argerich, Maria Joao Pires, Nelson Goerner (piano), Mischa Maisky (cello), Alexei Gerassimez, Lukas Böhm (percussion) Wolfgang Amadeus Mozart (1756 – 1791) Sonata for Keyboard Four-hands in C major K. 521 Béla Bartók (1881 – 1945) Sonata for Two Pianos and Percussion, Sz. 110, BB 115 Dmitri Shostakovich (1906 – 1975) Sonata for Cello and Piano in D minor, Op. 40 Hamburg, Laeiszhalle, 20, 23

Anne-Sophie Mutter (violin), Mischa Maisky (cello), Martha Argerich (piano) Ludwig van Beethoven (1770 – 1827) 7 Variations for Cello and Piano, on a theme from Mozart's Magic Flute "Bei Männern, welche LIebe Fühlen" Felix Mendelssohn (1809 — 1847) Piano Trio No. 1 in D minor, Op. 49 César Franck (1822 – 1890) Violin Sonata in A major Hamburg, Laeiszhalle, 25, 29 June 2021 Directed by Christophe B

HEREAFTER is a retrospective of the life and work of Gould, seen from today's point of view. Based a synthesis of all the documents existing on Gould, whether of a musical or of a literary and intellectual nature, this film strives to deal with the question of Gould's genius such as it is perceived by his audience, an audience that extends far beyond the strict notion of a musical audience. It is

Konzerthausorchester Berlin, Christoph Eschenbach (direction) Friedemann Eichhorn (violin) Fazil Say (1970) Concerto for violin and orchestra no. 2 Béla Bartók (1881-1945) Concerto for orchestra Berlin, Konzerthaus, 6 May 2022. Mit dabei: Friedemann Eichhorn.

Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin (Conductor) Dmitri Shostakovich (1906 – 1975) Symphony No. 4 in C minor, Op. 43 De Doelen Concert Hall, Rotterdam, December 2016.

POPPEA /; POPPEA by Christian Spuck Choregraphed by Christian Spuck for Gauthier Dance Music by Martin Donner, Claudio Monteverdi and others Gauthier Dance Emma Ryott — Set designer, costume designer Dunja Funke — Dramaturgy Reinhard Traub — Lighting Eric Gauthier — Dancer Anneleen Dedroog — Dancer Miriam Gronwald — Dancer Anna Süheyla Harms — Dancer Maria Prat Balasch — Dancer Rosario Guerra — Da

Orchestre de l'Opéra Royal, Stéphane Fuget (organ and musical direction) Sophie Junker, Florie Valiquette (sopranos) François Couperin (1668 – 1733) Leçons de Ténèbres pour le mercredi saint Victoria, Christo resurgenti (Motet pour le Jour de Pâques) Michel Richard Delalande (1657 – 1726) Cantique Quatrième : Sur le Bonheur des Justes et le malheur des réprouvés Recorded at the Château de Versaill